House of European History - Online Collection

'Sois Jeune et Tais Toi'

Date
Production: 1968
Object Name
Inventory Number
C.2018.002.001
Physical Description
Two-colour graphic poster showing a young man having his mouth covered by a shadowy figure in profile taking the exaggerated form of the French president Charles de Gaulle. Appearing to the left of the image is the slogan Sois Jeune et Tais Toi – ‘Be young and shut up’.
Content Description
Between 16 May and 27 June 1968 the Lithography studio of l’École nationale supérieure des Beaux-Arts in Paris was occupied by protesting students as part of the wider wave of student unrest within Paris and in Europe at large. The studio was renamed L’Atelier Populaire. During that time, students and non-professional artists produced a range of more than 500 different types of protest poster, many of which utilised slogans which had become popular during the student revolt and were appearing on walls across the city. These slogans were combined with stark, provocative and highly stylised images of police brutality, the oppression of young people and solidarity between the student movement and the broader working class.
Exhibition Theme
-> 7. Restless Youth. 70 years of growing up in Europe (not on display)
Material / Technique
Paper and ink
Dimensions
H x W 111,40 x 64,50 cm
Curator’s Note
The posters made in the Atelier Populaire were produced on newspaper rolls for the most part. Even when the same image appears, there is considerable variation between individual examples. Some were stamped, while others were not. In keeping with the egalitarian ethos of the movement, almost none of the posters were signed. Like other posters such as Moins de 21 ans, voici votre bulletin de vote, and Quand les Parents Votent les Enfants Trinquent, which are also in the collection of the House of European History, Sois Jeune et Tais Toi expresses a sense of youth dislocation and alienation from the political system of de Gaulle’s France. These posters adopted techniques derived from Pop Art and deployed them in a highly charged moment of youth revolt. Although arguably not intended to endure beyond the student protests, the work was highly influential subsequently, notably in the Punk period at the end of the 1970s. A direct line can be traced from the work of the Atelier to the work of Jamie Reid, for example, who created the highly innovative cut and paste agitprop visual identity of the British punk band, the Sex Pistols. Subsequently, the events of May 1968 in Paris seeped into the public consciousness in Europe as a moment of intense passion when a protest movement that began on a university campus spread to the factories and revolution loomed. This image and others produced in the studio played a key role in heightening this awareness.
Inscription
Stamp Position: recto “Atelier Populaire, École des Beaux Arts."
Credit line
Acquired 2018. EU, EP, House of European History, Brussels.
This entry about an object of the House of European History has been compiled and reviewed by the curatorial staff but may be incomplete. We continuously endeavour to revise and improve our records. We especially welcome additional information from our visitors. Please contact us if you have any queries.