House of European History - Online Collection

Bull's Eye mini-skirt

Date
Creation: 1969
Inventory Number
C.2018.012.001
Physical Description
Yellow pinafore style miniskirt dress with black centre circle or ‘bullseye’ at the crossing point of the shoulder straps, possibly a later alteration or repair.
Content Description
A vibrant and colourful piece illustrating the newfound freedom of young women in the 1960s. This garment was made in the same year as the first moon landing and its simple geometric lines were inspired by the space race. The dress gives a decidedly futurist and optimistic overall impression. Pierre Cardin’s ready-to-wear designs helped bring fashion out of the realm of haute couture and to a wider audience. These designs found a ready market among the young in Western Europe and North America who, with rising disposable incomes, were becoming a recognised consumer group in their own right.
Exhibition Theme
-> 7. Restless Youth. 70 years of growing up in Europe (not on display)
Material / Technique
Wool, synthetic fabric, plastic and metal
Dimensions
H x W x D 96,52 x 81,28 x 76,00 cm
Curator’s Note
No longer content to dress like their parents, the youth of the 1960s created and consumed radical fashions. The miniskirt became a potent symbol of a wider youth rebellion. Inevitably, it was interpreted by the establishment and society at large as something sexual. Its minimalism supposedly heralded a new sexual frankness among young women. However, in the eyes of its creators, such as the British designer Mary Quant (1930-), and arguably its wearers, its simple form was intended to maximise movement and, in a very practical sense, provide liberation from the strictures of the past. The miniskirt took many forms. In haute couture, the French designer André Courrèges (1923-2016) was credited with its introduction to France. Pierre Cardin, meanwhile, brought the miniskirt to a wider market within France and beyond when he produced a ready-to-wear line in 1959. This was one of his central innovations and brought him into direct opposition with the Parisian fashion establishment. It was also the key to his successful creation of a global fashion empire. In his miniskirt designs, Cardin reflected individual trends in the 1960s by deploying floral motifs for flower power and geometric patterns and silver tones to reflect the futurism of the space race. In 1969, Cardin was asked by NASA to design a dress inspired by a space suit, at which time he declared, ‘The dresses I prefer are those I invent for a life that does not yet exist’.
Inscription
Label Pierre Cardin, Paris
Credit line
Acquired 2018. EU, EP, House of European History, Brussels.
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