House of European History - Online Collection

No money. No job. No dreams. No goal. No problems

Date
Creation: 2012 - 2013
Inventory Number
C.2019.146.002
Physical Description
The art piece consists of a white background on which ‘no money | no job | no dreams | no goal | no problems’ is written in black capital letters and underlined. Each statement is written on its own line. The handwritten text is uneven. The words, as well as the underlining, are all slightly slanted in the same direction. The artist’s signature can be seen in the bottom right corner, also in capital letters, unevenly written, but smaller and less prominent than the text above.
Content Description
This art piece is part of the Crisis and Bullshit series created by the Portuguese artist Rita Gomes, known under the artistic name of Wasted Rita. The artwork was created around 2012, which was also in the middle of Portugal’s financial recession (2010-2014). The piece touches on the general mood of young people at the time of the recession, conveying the hopelessness they felt as a result of the economic downturn. With this artwork, Wasted Rita puts words to the lack of opportunities and future prospects felt by people in Portugal at the time, while also poking fun with the sarcastic ‘No problems’ as the last line of the piece.
Exhibition Theme
-> 7. Restless Youth. 70 years of growing up in Europe (not on display)
Material / Technique
Paper and ink
Dimensions
H x W 29,90 x 19,00 cm
Curator’s Note
Wasted Rita is known in the art world for direct, provocative and simultaneously humorous pieces. The use of text-based art is also a characteristic of her work, which she calls ‘pseudo poetry’. The artist has described her artworks and projects as being inspired by ordinary life, pop and punk culture, and the internet. In this sense, the art becomes a medium through which the artist processes her experiences. At times, this process makes the artwork also appear to contain a form of social commentary. This is certainly true for this piece, which seems critical, but it is up to the viewer to decide exactly what the piece is critical of. Although the artist has not explained the piece further, based on the economy-focused text in the piece, it is likely that it concerns the recession. However, the artist has also spoken about the lack of support for artists in Portugal and how she finds it necessary to look beyond the country’s borders to be able to live off of her art alone. Considering this, the piece may also be about the troubles that come with life as an artist rather than about the difficulties of life during the Great Recession. Wasted Rita navigates these complex themes, providing a lens through which audiences can insert themselves into her work. Beyond specific narratives, her art resonates on a universal level, inviting viewers to insert their own experiences into and interpret the art on their own terms. It also reacts to and reflects a moment in recent European history.
Credit line
Acquired 2019. EU, EP, House of European History, Brussels.
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